"It’s more like me trying to do a Zweig-esque thing" (via A Different Stripe).
That Zweig-esque film is The Grand Budapest Hotel.
Zweig biographer George Prochnik interviews Wes Anderson: How a Viennese author inspired The Grand Budapest Hotel.
Beware of Pity
The Sheila Variations: Beware of Pity, by Stefan Zweig
Although it is, essentially, a domestic tale, a kind of effed-up twisted drawing-room romance of horror (Jane Austen on crystal meth), surrounding it is the world at large, the military maneuvers and gleaming by-rote ritual that seems to give an order and continuity to a crazy world. Zweig knows what is coming, and so do we, which is what gives the book such a creepy pallor.
The Outlet: Beware of Memory: On Reading Stefan Zweig's "Beware of Pity"
Beware is a novel about the complexity of human emotions: about how people hurt one another without meaning to, about how love is as much borne of the happiness one can give as the happiness one can get, and how its absence is inextricably tied up with embarrassment, with shame, with the fear of proclaiming one's love before one's fellow soldiers, fellow men. It is about how Hofmiller grows up, with brutal abruptness, and realizes that he lives in a world far more complex, with boundaries between emotions far more easily blurred, than he expected.
Letter from an Unknown Woman
The Mookse and the Gripes: Stefan Zweig: Letter from an Unknown Woman
This is signature Zweig: highly emotional, almost ridiculously dramatic, yet it works. It works marvelously.
Les derniers jours de Stefan Zweig
Le Figaro: Stefan Zweig au cœur de la tempête
Plongée profonde au cœur de la tempête intérieure qui secoua l'un des grands écrivains du XXe siècle...