How shall I keep my soul from touching yours?

Love Song

How shall I keep my soul
from touching yours? How shall I
lift it up beyond you to other things?
Ah, I would gladly hide it
in darkness with something lost
in some silent foreign place
that doesn't tremble when your deeps stir.
Yet whatever touches you and me
blends us together the way a bow's stroke
draws one voice from two strings.
Across what instrument are we stretched taut?
And what player holds us in his hand?
O sweet song.

— Rainer Maria Rilke (tr. Edward Snow)

I'm reading Rilke again. Never a good sign.

Three books have come together:

• The Poetry of Rilke, translated and edited by Edward Snow.
• Letters: Summer 1926, by Boris Pasternak, Marina Tsvetayeva, and Rainer Maria Rilke.
• Reading Rilke: Reflections on the Problems of Translation, by William H. Gass.

So it'll be another summer of Rilke. I hope this ends better than the last one. What is wrong with me?

Writes Tsvetayeva to Rilke, inexplicably:

I know what time is and what a poem is. I also know what a letter is. So there.

Your suffering's taste

I recently acquired The Poetry of Rilke, translated by Edward Snow and with an introduction by Adam Zagajewski (excerpt), a volume I've been wanting for years. I unpacked it and opened it randomly:

You must suffer long, not knowing what,
until suddenly out of bitterly chewed fruit
your suffering's taste comes forth in you.
Then almost instantly you'll love what's tasted. No one
will ever talk you out of it

— Rainer Maria Rilke
Paris, March 1913

It's a bilingual edition, and I read aloud in my imaginary German.

I've been looking into taking German classes. Am I crazy? I want to learn German for the poetry. No one will ever talk me out of it.